The Link
Assemble your print of The Link, originally painted in 1977.
FRAMES
We have glass frames and passepartouts with three finishing options: white, black or wood.
The frames come with a chassis to structure the background, passepartout, 5mm Foam Board background and simple glass.
In addition to the highly qualified team, we work in partnership with a specialized workshop and quality materials, aiming to ensure sophistication and the preservation of your work.
*** For logistical reasons, we are only able to send works with frames to the greater São Paulo area, capital.
REPRODUCTIONS (PAPER OR CANVAS)
Painting since the beginning of the 60s, Peticov was one of the pioneers in the use of acrylic paint on canvas instead of oil paint, the most used by most artists until that time.
Since then, his pictorial production exceeds 1300 canvases, in addition to several drawings and engravings.
We made a selection of more than 200 of the artist's favorite images that can be reproduced digitally on both high quality paper and canvas (emulsified cotton canvas).
The reproductions, signed by the artist, may optionally have a dedication if the client so wishes.
Our intention is to have the work ready as soon as possible!
As we will be producing on demand, the shipping time may vary according to the workshop flow, ranging from 5 to 14 days.
HAHNEMÜHLE MUSEUM ETCHING 350GSM
HAHNEMÜHLE MUSEUM ETCHING 350GSM
350 gsm · 100% cotton · natural white
Hahnemühle Museum Etching is a natural white cotton art paper with an inkjet coating specially optimised for FineArt printing. This heavyweight textured paper does not contain optical brighteners and is characterised by its high stability. The finely textured surface with fine felt structure lends FineArt prints added depth and a three-dimensional effect. Combined with the pure cotton base, this creates a wonderfully soft tactile feel and artistic impression. The premium matt inkjet coating produces excellent print results. Colours are wonderfully vivid, the depth of the black truly stands out and details are reproduced perfectly. The acid- and lignin-free Museum Etching meets the most exacting requirements for age resistance and is ideal for reproducing photographs and works of art.
As a special highlight, Museum Etching is also available in A2 and A3+ with hand-torn deckle edges on all four sides. The result is exclusive prints which truly come into their own when float framed.
- 350 gsm, 100% cotton
- Natural white, without optical brighteners
- Finely textured surface
- Matt premium inkjet coating for outstanding print results
- Acid- and lignin-free
- ISO 9706 conform / museum quality for highest age resistance
- Compatible with pigment and dye inkjet systems
